Song of Solomon 5:2 in 6 translations
6 distinct wordings, grouped by what each translation is trying to do. Differences from the King James text are marked below.
Early modern English
Seventeenth-century wording and sentence shape. Familiar, rhythmic, and the version most quotations you have heard are taken from.
I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.
1611 / 1769 · Public domain · The Authorised Version, revised to the 1769 Blayney text. Includes the Apocrypha as printed in 1611.
Literal, word-for-word
Follows Hebrew and Greek word order and grammar closely, even where the English becomes stiff. Useful for seeing what the underlying sentence is doing.
I was asleep, but my heart waked: It is the voice of my beloved that knocketh, [saying], Open to me, my sister, my love, my dove, my undefiled; For my head is filled with dew, My locks with the drops of the night.
1901 · Public domain · The American revision of the English Revised Version. Deliberately literal, and the base text behind several later translations.
I slept, but my heart was awake. The voice of my beloved! he knocketh: Open to me, my sister, my love, my dove, mine undefiled; For my head is filled with dew, My locks with the drops of the night.
1890 · Public domain · John Nelson Darby's translation, made for close study rather than public reading. Often exposes grammatical detail other versions smooth over.
I am sleeping, but my heart waketh: The sound of my beloved knocking! `Open to me, my sister, my friend, My dove, my perfect one, For my head is filled with dew, My locks with drops of the night.'
1898 · Public domain · The most extreme word-for-word rendering here, keeping Hebrew and Greek tense and word order at the cost of natural English.
Modern English
Contemporary vocabulary and punctuation, aiming for the sentence a present-day reader would write while staying close to the source.
I was asleep, but my heart was awake. It is the voice of my beloved who knocks: “Open to me, my sister, my love, my dove, my undefiled; for my head is filled with dew, and my hair with the dampness of the night.”
2000s · Public domain · A modern-English update of the ASV. Reads close to contemporary speech while staying in the literal tradition. Includes the Apocrypha.
Simplified English
Built from a deliberately small vocabulary so the sense stays reachable for new readers and non-native speakers. Trades nuance for clarity.
I am sleeping, but my heart is awake; it is the sound of my loved one at the door, saying, Be open to me, my sister, my love, my dove, my very beautiful one; my head is wet with dew, and my hair with the drops of the night.
1949 · Public domain · Written with roughly a thousand basic English words plus a small Bible vocabulary. The plainest reading available here.
What changes between the King James and modern wording
The modern rendering is printed below with every word that differs from the King James text marked, so the actual divergence is visible rather than left for you to spot.
I was asleep, but my heart was awake. it is the voice of my beloved who knocks: Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my hair with the dampness of the night.
Word-for-word swaps
- sleep→was
- waketh→was
- saying→who
- locks→hair
- drops→dampness
The verses either side
King James text. A comparison is easier to judge when you can see the sentence the verse sits inside.
Not shown for this verse: Open English Bible (US), Open English Bible (Commonwealth). Those translations are still incomplete in the corpus, and empty cards are not padded in.