Song of Solomon 2:14 in 6 translations
6 distinct wordings, grouped by what each translation is trying to do. Differences from the King James text are marked below.
Early modern English
Seventeenth-century wording and sentence shape. Familiar, rhythmic, and the version most quotations you have heard are taken from.
O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.
1611 / 1769 · Public domain · The Authorised Version, revised to the 1769 Blayney text. Includes the Apocrypha as printed in 1611.
Literal, word-for-word
Follows Hebrew and Greek word order and grammar closely, even where the English becomes stiff. Useful for seeing what the underlying sentence is doing.
O my dove, that art in the clefts of the rock, In the covert of the steep place, Let me see thy countenance, Let me hear thy voice; For sweet is thy voice, and thy countenance is comely.
1901 · Public domain · The American revision of the English Revised Version. Deliberately literal, and the base text behind several later translations.
My dove, in the clefts of the rock, In the covert of the precipice, Let me see thy countenance, let me hear thy voice; For sweet is thy voice, and thy countenance is comely.
1890 · Public domain · John Nelson Darby's translation, made for close study rather than public reading. Often exposes grammatical detail other versions smooth over.
My dove, in clefts of the rock, In a secret place of the ascent, Cause me to see thine appearance, Cause me to hear thy voice, For thy voice is sweet, and thy appearance comely.
1898 · Public domain · The most extreme word-for-word rendering here, keeping Hebrew and Greek tense and word order at the cost of natural English.
Modern English
Contemporary vocabulary and punctuation, aiming for the sentence a present-day reader would write while staying close to the source.
My dove in the clefts of the rock, In the hiding places of the mountainside, Let me see your face. Let me hear your voice; for your voice is sweet, and your face is lovely.
2000s · Public domain · A modern-English update of the ASV. Reads close to contemporary speech while staying in the literal tradition. Includes the Apocrypha.
Simplified English
Built from a deliberately small vocabulary so the sense stays reachable for new readers and non-native speakers. Trades nuance for clarity.
O my dove, you are in the holes of the mountain sides, in the cracks of the high hills; let me see your face, let your voice come to my ears; for sweet is your voice, and your face is fair.
1949 · Public domain · Written with roughly a thousand basic English words plus a small Bible vocabulary. The plainest reading available here.
What changes between the King James and modern wording
The modern rendering is printed below with every word that differs from the King James text marked, so the actual divergence is visible rather than left for you to spot.
my dove, in the clefts of the rock, in the hiding places of the mountainside, let me see your face. let me hear your voice; for your voice, is sweet, and your face is lovely.
Word-for-word swaps
- secret→hiding
- stairs→mountainside
- countenance→your
- thy→your
- comely→lovely
The verses either side
King James text. A comparison is easier to judge when you can see the sentence the verse sits inside.
Not shown for this verse: Open English Bible (US), Open English Bible (Commonwealth). Those translations are still incomplete in the corpus, and empty cards are not padded in.