Exodus 38:18 in 6 translations
6 distinct wordings, grouped by what each translation is trying to do. Differences from the King James text are marked below.
Early modern English
Seventeenth-century wording and sentence shape. Familiar, rhythmic, and the version most quotations you have heard are taken from.
And the hanging for the gate of the court needlework, blue, and purple, and scarlet, and fine twined linen: and twenty cubits the length, and the height in the breadth five cubits, answerable to the hangings of the court.
1611 / 1769 · Public domain · The Authorised Version, revised to the 1769 Blayney text. Includes the Apocrypha as printed in 1611.
Literal, word-for-word
Follows Hebrew and Greek word order and grammar closely, even where the English becomes stiff. Useful for seeing what the underlying sentence is doing.
And the screen for the gate of the court was the work of the embroiderer, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court.
1901 · Public domain · The American revision of the English Revised Version. Deliberately literal, and the base text behind several later translations.
And the curtain of the gate of the court was of embroidery of blue, and purple, and scarlet, and twined byssus; and the length was twenty cubits, and the height like the breadth, five cubits, just as the hangings of the court;
1890 · Public domain · John Nelson Darby's translation, made for close study rather than public reading. Often exposes grammatical detail other versions smooth over.
And the covering of the gate of the court is the work of an embroiderer, of blue, and purple, and scarlet, and twined linen; and twenty cubits is the length, and the height with the breadth five cubits, over-against the hangings of the court;
1898 · Public domain · The most extreme word-for-word rendering here, keeping Hebrew and Greek tense and word order at the cost of natural English.
Modern English
Contemporary vocabulary and punctuation, aiming for the sentence a present-day reader would write while staying close to the source.
The screen for the gate of the court was the work of the embroiderer, of blue, purple, scarlet, and fine twined linen. Twenty cubits was the length, and the height in the width was five cubits, like to the hangings of the court.
2000s · Public domain · A modern-English update of the ASV. Reads close to contemporary speech while staying in the literal tradition. Includes the Apocrypha.
Simplified English
Built from a deliberately small vocabulary so the sense stays reachable for new readers and non-native speakers. Trades nuance for clarity.
And the curtain for the doorway of the open space was of the best linen, with designs of blue and purple and red in needlework; it was twenty cubits long and five cubits high, to go with the hangings round the sides.
1949 · Public domain · Written with roughly a thousand basic English words plus a small Bible vocabulary. The plainest reading available here.
What changes between the King James and modern wording
The modern rendering is printed below with every word that differs from the King James text marked, so the actual divergence is visible rather than left for you to spot.
the screen for the gate of the court was the work of the embroiderer, of blue, purple, scarlet, and fine twined linen: twenty cubits was the length, and the height in the width was five cubits, like to the hangings of the court.
Word-for-word swaps
- hanging→screen
- needlework→was
- breadth→width
- answerable→like
The verses either side
King James text. A comparison is easier to judge when you can see the sentence the verse sits inside.
Not shown for this verse: Open English Bible (US), Open English Bible (Commonwealth). Those translations are still incomplete in the corpus, and empty cards are not padded in.