Bel and the Dragon 1:18 in 2 translations
2 distinct wordings, grouped by what each translation is trying to do. Differences from the King James text are marked below.
Early modern English
Seventeenth-century wording and sentence shape. Familiar, rhythmic, and the version most quotations you have heard are taken from.
And as soon as he had opened the dour, the king looked upon the table, and cried with a loud voice, Great art thou, O Bel, and with thee is no deceit at all.
1611 / 1769 · Public domain · The Authorised Version, revised to the 1769 Blayney text. Includes the Apocrypha as printed in 1611.
Modern English
Contemporary vocabulary and punctuation, aiming for the sentence a present-day reader would write while staying close to the source.
And as soon as he had opened the door, the king looked upon the table, and cried with a loud voice, Great are you, O Bel, and with you is no deceit at all.
2000s · Public domain · A modern-English update of the ASV. Reads close to contemporary speech while staying in the literal tradition. Includes the Apocrypha.
What changes between the King James and modern wording
The modern rendering is printed below with every word that differs from the King James text marked, so the actual divergence is visible rather than left for you to spot.
And as soon as he had opened the door, the king looked upon the table, and cried with a loud voice, Great are you, O Bel, and with you is no deceit at all.
Word-for-word swaps
- dour→door
- thou→are
- thee→you
The verses either side
King James text. A comparison is easier to judge when you can see the sentence the verse sits inside.
Not shown for this verse: American Standard Version, Darby Bible, Young's Literal Translation, Open English Bible (US), Open English Bible (Commonwealth), Bible in Basic English. Most modern translations do not include the Apocrypha.